An exploration of light and shadow as well as structure. Hand drawn plastic calligraphy using a 3D pen combined with recycled plastics from Pop or OJ bottles, acupuncture needle sleeves and embellishmented with glass beads.
Plastic
Sticking my Head in the Sea - a series of wearable headgear based upon Marine Invasive Species. Made from both new and recycled plastics including OJ bottles and acupuncture needle sleeves, embellished with glass beads
Sticking my Head in the Sea - a series of wearable headgear based upon Marine Invasive Species. Made from both new and recycled plastics including OJ bottles and acupuncture needle sleeves, embellished with glass beads
Sticking my Head in the Sea - a series of wearable headgear based upon Marine Invasive Species. Made from both new and recycled plastics including pop bottles.
Sticking my Head in the Sea - a series of wearable headgear based upon Marine Invasive Species. Made from both new and recycled plastics including pop bottles, OJ bottles, embellished with glass beads.
PLA Sphere Structure - 2020 - explorations in structure and shadow - 20 in. diameter
Shadow explorations - PLA Sphere Structure - 2022 - 20 in. diameter
PLA vessel - 2020 - hand drawn calligraphy plastic vessel made using a 3D printing pen over early ceramic form - 18 in. high x 15 in. diameter
Kenojuak/Kusama/Baird Bird - 2020 - 16 in. high x 22 in. long x 8 in. wide - hand drawn plastic made during Residency at the Beaverbrook Art Gallery, Fredericton, NB. An exploration based upon their collection of Inuit Printmakers, and a nod to Yayoi Kusama's polka dots. Shadow temporary printmaking.
Bowl Structure - 2020 - 10 in. high x 18 in. diameter - calligraphic plastic printmaking